Alcatraz: History and Design of an Icon by Ira Nadel, Donald MacDonald

By Ira Nadel, Donald MacDonald

Shrouded in secret and wealthy with historical past, Alcatraz attracts over 1000000 viewers every year. This enlightening quantity offers the 1st entire background of Alcatraz instructed via its structure. In pleasant illustrations and available textual content, authors Donald MacDonald and Ira Nadel demonstrate the layout judgements that experience formed the island from its first brick and masonry castle to the notorious concrete cellblock, to the panorama layout of its modern gardens and chicken sanctuaries. choked with interesting proof all through, this little treasure permits an exceptional glimpse into the lifetime of the island.

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Extra info for Alcatraz: History and Design of an Icon

Sample text

Geoffrey may also have worked under William’s successor at Canterbury, William the Englishman. The plan of Lincoln Cathedral, with two pairs of transepts, follows the plan for the rebuilding of Canterbury between 1175 and 1184. The east end of Lincoln, which was built during the time of Saint Retrochoir north aisle. Canterbury Cathedral. 38 Hugh, and only the footprint of which remains in the Angel Choir of the cathedral, was very similar to the choir at Canterbury. A footprint of the original apse of Remigius can be seen in Saint Hugh’s Choir.

The plan of Lincoln Cathedral, with two pairs of transepts, follows the plan for the rebuilding of Canterbury between 1175 and 1184. The east end of Lincoln, which was built during the time of Saint Retrochoir north aisle. Canterbury Cathedral. 38 Hugh, and only the footprint of which remains in the Angel Choir of the cathedral, was very similar to the choir at Canterbury. A footprint of the original apse of Remigius can be seen in Saint Hugh’s Choir. From excavations, there were a hexagonal chapel at the east end of the choir for the relics of Bishop Remigius, and eastern transepts, based on the architecture at Canterbury.

There are three clerestory windows instead of two in three of the four bays, corresponding to the Trinity, with an arcade of Purbeck shafts in front of them, and five arches, which may contribute to an explanation of the asymmetrical vaulting. There are two clerestory windows in the westernmost bay, which has regular sexpartite vaulting, as in the transepts. The first bay to the east of the choir, which crosses the lesser or eastern transept, and connects Saint Hugh’s Choir to the Angel Choir, begun later around 1250, also has asymmetrical vaulting.

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